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	<title>bjoernkaemmerer</title>
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	<link>http://www.bjoernkaemmerer.com</link>
	<description>Ein weiteres tolles WordPress-Blog</description>
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		<title>OUTTAKES 07</title>
		<link>http://www.bjoernkaemmerer.com/outtakes-07</link>
		<comments>http://www.bjoernkaemmerer.com/outtakes-07#comments</comments>
		<pubDate>Fri, 21 May 2010 13:56:46 +0000</pubDate>
		<dc:creator>bjoern</dc:creator>
				<category><![CDATA[Allgemein]]></category>

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		<description><![CDATA[XXX
XXX
XXX
XXX
]]></description>
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		<title>OUTTAKES 06</title>
		<link>http://www.bjoernkaemmerer.com/outtakes-06</link>
		<comments>http://www.bjoernkaemmerer.com/outtakes-06#comments</comments>
		<pubDate>Fri, 21 May 2010 13:56:32 +0000</pubDate>
		<dc:creator>bjoern</dc:creator>
				<category><![CDATA[Allgemein]]></category>

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		<title>DRIVE BY</title>
		<link>http://www.bjoernkaemmerer.com/drive-by</link>
		<comments>http://www.bjoernkaemmerer.com/drive-by#comments</comments>
		<pubDate>Fri, 21 May 2010 13:55:07 +0000</pubDate>
		<dc:creator>bjoern</dc:creator>
				<category><![CDATA[Allgemein]]></category>

		<guid isPermaLink="false">http://www.bjoernkaemmerer.com/?p=93</guid>
		<description><![CDATA[The video installation “drive by” is composed by three monitors, which show a car without driver giving the impression of passing from one screen to the next. The opened side windows fit exactly to the digital frame putting the physical screen and the image on an even level.]]></description>
			<content:encoded><![CDATA[The video installation “drive by” is composed by three monitors, which show a car without driver giving the impression of passing from one screen to the next. The opened side windows fit exactly to the digital frame putting the physical screen and the image on an even level.]]></content:encoded>
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		<title>SICHERHEITSALARM</title>
		<link>http://www.bjoernkaemmerer.com/sicherheitsalarm</link>
		<comments>http://www.bjoernkaemmerer.com/sicherheitsalarm#comments</comments>
		<pubDate>Fri, 21 May 2010 13:54:08 +0000</pubDate>
		<dc:creator>bjoern</dc:creator>
				<category><![CDATA[Allgemein]]></category>

		<guid isPermaLink="false">http://www.bjoernkaemmerer.com/?p=90</guid>
		<description><![CDATA[A disaster film. Danger is omnipresent, but vague and concentrated on its verbal invocation. From a
total of 417 minutes of material from a seven-part science fiction production, Björn Kämmerer and
Karoline Meiberger have distilled the quintessence of the command structure. Like in a piece of concrete
music, appellative signal words (General, sir!, Commander!) accelerate, culminating in the coda: Catastrophe! New territory of retroactive science fiction: the directors‘ cut.]]></description>
			<content:encoded><![CDATA[A disaster film. Danger is omnipresent, but vague and concentrated on its verbal invocation. From a
total of 417 minutes of material from a seven-part science fiction production, Björn Kämmerer and
Karoline Meiberger have distilled the quintessence of the command structure. Like in a piece of concrete
music, appellative signal words (General, sir!, Commander!) accelerate, culminating in the coda: Catastrophe! New territory of retroactive science fiction: the directors‘ cut.]]></content:encoded>
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		<title>DAWN</title>
		<link>http://www.bjoernkaemmerer.com/dawn</link>
		<comments>http://www.bjoernkaemmerer.com/dawn#comments</comments>
		<pubDate>Mon, 17 May 2010 10:09:45 +0000</pubDate>
		<dc:creator>bjoern</dc:creator>
				<category><![CDATA[Allgemein]]></category>

		<guid isPermaLink="false">http://www.bjoernkaemmerer.com/dawn</guid>
		<description><![CDATA[The primal impulse, the moment of light, is the trigger for a view searching for this situation in space, that has to be retrieved beyond the frame as the impulse has already lapsed. In intervals of dawn our gaze searches for a motion that cannot be located within the image. The labyrinth of connections between the motion images traps the gaze, and no longer lets it free.]]></description>
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		<title>GYRE</title>
		<link>http://www.bjoernkaemmerer.com/gyre</link>
		<comments>http://www.bjoernkaemmerer.com/gyre#comments</comments>
		<pubDate>Sun, 18 Apr 2010 15:44:44 +0000</pubDate>
		<dc:creator>bjoern</dc:creator>
				<category><![CDATA[Allgemein]]></category>

		<guid isPermaLink="false">http://www.bjoernkaemmerer.com/gyre</guid>
		<description><![CDATA[White and black areas flow past. Pause. Space is created in repetition, that isn’t really repetition, because its presentation and experience of it alters subtly each time. Something is rotating, but the direction isn’t immediately obvious. From the dark- ness we peer throughpassing windows into a brightly lit empty room, the architecture of which remains enigmatic until the end. As time passes the exterior also surprisingly gains contours.]]></description>
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		<title>ESCALATOR</title>
		<link>http://www.bjoernkaemmerer.com/escalator</link>
		<comments>http://www.bjoernkaemmerer.com/escalator#comments</comments>
		<pubDate>Mon, 08 Feb 2010 22:37:21 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Allgemein]]></category>

		<guid isPermaLink="false">http://www.bjoernkaemmerer.com/?p=22</guid>
		<description><![CDATA[By processing a handful of shots of casually acquired black and white film material, Kämmerer has a boy incessantly climb and descend the stairs of a house. Dressed in a tie and overalls he seems to be the precocious engineer of a machine which compels him to his „escalation“.]]></description>
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		<title>AIM</title>
		<link>http://www.bjoernkaemmerer.com/aim</link>
		<comments>http://www.bjoernkaemmerer.com/aim#comments</comments>
		<pubDate>Mon, 08 Feb 2010 22:17:20 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Allgemein]]></category>

		<guid isPermaLink="false">http://www.bjoernkaemmerer.com/test</guid>
		<description><![CDATA[Western-found footage manipulated to the point of being unable to convey a plot: an armed robbery is prevented through the camera, which brings one figure into a grotesque conflict. The armed confrontation gets stuck in a pounding staccato, while the public – although enbedded in the narration – remains disinformed.]]></description>
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